(Not to mention his most far-reaching as Harjo, who shoots almost exclusively in his home state of Oklahoma, spent a year-plus, pre-pandemic, traveling across the… Read more Which may make Love and Fury the veteran director’s most personal film yet. In other words, Harjo’s identity is solidly Native American (Muscogee Creek/Seminole) and solidly creative artist. He’s also a founding member of Native American comedy quintet The 1491s, and his first comedy series (for FX and streaming on Hulu), the terrifically titled Reservation Dogs, boasts a team exclusively made up of Indigenous writers, directors and series regulars (including EP Taika Waititi who co-wrote the first episode). Sterlin Harjo is a longtime Sundance alum who’s directed two docs, three dramatic features and a slew of shorts. I Could’ve Cut it Ten Different Ways and It Would Still Be the Same Conversation”: Sterlin Harjo on His Netflix Doc Love and Fury Love and Fury (Photo: ARRAY) Creating a Repulsion-esque world that fuses reality and fantasy through dysfunctional characters and their bodily fluids, The Scary of Sixty-First has a thrilling,… Read more When an amateur detective hyped up on amphetamines and conspiracies shows up to investigate Epstein’s life and death, the roommates are infected with the haunted truth of their new home.
In The Scary of Sixty-First, two roommates move into a semi-furnished apartment that may have been owned by the pedophile billionaire. Clearly, Nekrasova doesn’t share the same merry Christmas cheer as most. First up: leering gargoyles lining the 15-foot front door of Jeffrey Epstein’s Upper East Side apartment building.
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“I Had the Will and the Emotional Momentum… the Movie was Hyper-Topical, Being Made Basically in Real Time”: Dasha Nekrasova on Her Jeffrey Epstein Horror Film, The Scary of Sixty-First Dasha Nekrasova on the set of The Scary of Sixty-First (Photo: Utopia)ĭasha Nekrasova wanted all the exteriors in her directorial debut to have the ambience of Christmas in New York.